Inclusive Screenwriting for Film and Television
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Summary
* Approaches the practice of screenwriting from an intersectional and inclusive perspective.
* Offers practical ways in which screenwriters can approach their craft to tell stories of under-represented individuals in an authentic way.
* Includes examples from Killing Eve, Pose, Sense8, Vida, and I May Destroy You to illustrate inclusive screenwriting.
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* Approaches the practice of screenwriting from an intersectional and inclusive perspective.
* Offers practical ways in which screenwriters can approach their craft to tell stories of under-represented individuals in an authentic way.
* Includes examples from Killing Eve, Pose, Sense8, Vida, and I May Destroy You to illustrate inclusive screenwriting.
Jess King is an Instructor of Screenwriting and Cinema Production at DePaul University, USA. Jess is an educator, scholar, and interdisciplinary filmmaker, teaching courses in screenwriting, independent television, and film analysis. King's creative scholarship revolves around frameworks for reimagining screenwriting for inclusion and social justice.
Title: Inclusive Screenwriting for Film and Television
Author: King, Jess
ISBN: 9780367772185
Binding:
Publisher: Taylor & Francis Ltd
Publication Date: 2022-05-17
Number of Pages: 152
Weight: 0.2401 kg
'King's book is a revolutionary cry to dismantle the screenwriting patriarchy and decolonialize the craft of the screenplay once and for all. None of the old gurus are spared as King meticulously demonstrates how the rarely-contradicted rules of professional screenwriting are ideologically rooted in the oppression of historically excluded voices.'
Andrew Gay, Southern Oregon University
'King's book is a revolutionary cry to dismantle the screenwriting patriarchy and decolonialize the craft of the screenplay once and for all. None of the old gurus are spared as King meticulously demonstrates how the rarely-contradicted rules of professional screenwriting are ideologically rooted in the oppression of historically excluded voices.'
Andrew Gay, Southern Oregon University
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