Death comes to us all. When he came to Mort, he offered him a job.
Henceforth, Death is no longer going to be the end, merely the means to an end. It's an offer Mort can't refuse. As Death's apprentice he'll have free board, use of the company horse - and being dead isn't compulsory. It's a dream job - until he discovers that it can be a killer on his love life...
Terry Pratchett (Author)
Terry Pratchett was the acclaimed creator of the global bestselling Discworld series, the first of which, The Colour of Magic, was published in 1983. In all, he was the author of over fifty bestselling books which have sold over 100 million copies worldwide. His novels have been widely adapted for stage and screen, and he was the winner of multiple prizes, including the Carnegie Medal. He was awarded a knighthood for services to literature in 2009, although he always wryly maintained that his greatest service to literature was to avoid writing any.
www.terrypratchettbooks.com
Neil Gaiman (Introducer)
Gaiman is the New York Times bestselling author of the novels Neverwhere (1995), Stardust (1999), the Hugo and Nebula Award-winning American Gods (2001), Anansi Boys (2005), and Good Omens (with Terry Pratchett, 1990), as well as the short story collections Smoke and Mirrors (1998) and Fragile Things (2006). His screenwriting credits include the original BBC TV series of Neverwhere (1996), Dave McKean's first feature film, Mirrormask (2005), the Doctor Who episode 'The Doctor's Wife' (2011) and, of course, the forthcoming 'Good Omens' TV series.
Title: Mort: Introduction by Neil Gaiman (Discworld Novels)
Author: Pratchett, Terry
ISBN: 9780552173049
Binding:
Publisher: Transworld Publishers Ltd
Publication Date: 2019-04-25
Number of Pages: 320
Weight: 0.2241 kg
The genius of Pratchett is that he never goes for the straight allegory . . . he remains one of the most consistently funny writers around; a master of the stealth simile, the time-delay pun and the deflationary three-part list . . . I could tell which of my fellow tube passengers had downloaded it to their e-readers by the bouts of spontaneous laughter. -- BEN AARONOVITCH * Guardian *
A master storyteller. He is endlessly inventive . . . a master of complex jokes, good bad jokes, good dreadful jokes and a kind of insidious wisdom about human nature . . . I read his books at a gallop and then reread them every time I am ill or exhausted * Guardian *
Up there with PG Wodehouse. Amazing. Wonderful. Fantastic. * Daily Mail *
The Discworld novels have always been among the most serious of comedies, the most relevant and real of fantasies . . . Pratchett has been rightly praised for comic invention and whimsy; he does not always get enough credit for the psychological comedy of embarrassment which makes us blush with self-recognition . . . at once hilariously cynical and idealistically practical. * Independent *
Pratchett too requires us to think. Whenever I read his stories I find myself thinking that he is grown up . He may write benign comedy but he knows how horribly complicated and exciting the Universe is. -- A. S. BYATT * The Times *
