'A book like a blade of light, searching out and illuminating the darkest corners of history . . . It's vivid, unputdownable, alive, and written with unerring artfulness and subtlety.' Neel Mukherjee
Gunnar Kampen grows up in Iceland during the Second World War in a household fiercely opposed to Hitler and Nazism. At nineteen he seems set for a conventional, dutiful life. And yet in the spring of 1958, he founds a covert, anti-Semitic nationalist party, a cause that will take him on a clandestine mission to England from which he never returns.
Inspired by one of the ringleaders of a little-known neo-Nazi group that was formed in Iceland in the 1950s, Sjon's portrait of an ardent fascist is as thought-provoking as it is disturbing. As this taut and fascinating novel suggests, the seeds of extremism can be hard to detect - and the ideology of the far-right remains dangerously potent.
Born in Reykjavik in 1962, Sjon is the author of the novels The Blue Fox, The Whispering Muse, From the Mouth of the Whale, Moonstone and CoDex 1962, for which he has won several awards including the Nordic Council's Literature Prize and the Icelandic Literary Prize. He has also been shortlisted for the International IMPAC Dublin Literary Award and the Independent Foreign Fiction Prize, and his work has been translated into thirty-five languages. In addition, Sjon has written nine poetry collections as well as four opera librettos and lyrics for various artists. He lives in Reykjavik, Iceland. Victoria Cribb has translated over thirty-five books by Icelandic authors. Her translations of Moonstone and CoDex 1962 were both longlisted for the PEN America Translation Prize and in 2017 she received the Ordstir honorary translation award for services to Icelandic literature.
Title: Red Milk
Author: Sjón
ISBN: 9781529355895
Binding:
Publisher: Hodder & Stoughton
Publication Date: 2021-05-27
Number of Pages: 144
Weight: 0.2571 kg
Sjon's policy of omission-of drama, psychology, violence, grandeur of any kind-results in a delicious tension. He tempts us to expect so much of the novel, and though he never provides the relief of clean culminations, he manages to keep the reader wanting. * Asymptote Journal *
A slim forensic novel to strike a chill. * Saga *
Sjon's prose is appropriately sharp and precise, illuminating the murky corners of his topic. -- Pippa Bailey * New Statesman *
This is a landscape proper to a child's imagination, dreamlike but solid, with all the pronounced lucidity and wild agency that objects and colors assume . . . Sjon makes us think again about what empathy can - and frequently enough simply can't - achieve. -- Erica Banks * 4Columns *
Like Iceland itself, Sjon's books are simultaneously tiny and huge, weird and normal, ancient and modern. Reading them feels like listening to that story of the beached whale: a wild invention that is actually a straight-faced confession. His books dance - with light, quick steps, never breaking eye contact - all over the line between the mythic and the mundane. -- Sam Anderson * New York Times *
What Sjon leaves out of his work is as powerful as what he puts in. His fiction never seems to break into a sweat, yet it takes you a long, long way. * David Mitchell *
The chapters move like the prose equivalent of flip-book images, quick and evocative . . . Sjon's story, based on research into a real-life band of Icelandic neo-Nazis, dovetails nicely with current preoccupations about the resurgence of fascism . . . By tarrying for a while with the everyday - the ultimate site of real politics - Sjon gets at how endlessly interesting it can be, and how much it can contain and conceal. -- Peter C. Baker * New York Times Book Review *
