Electric, outrageous, erotic, rebellious - rock concert posters are the visual equivalent of the music they advertise. The Art of Rock traces the history of this energising art form from the bold letterpress posters advertising Elvis's early shows, through the multi-coloured fantasies of the psychedelic era, to the avant-garde collages of new wave and punk. More than 1,500 posters and other graphics - tickets, backstage passes, buttons, handbills - are presented in their original blazing colour (or their stark black and white, as the case may be). The text features dozens of exclusive interviews with musicians, concert promoters, and the poster artists themselves, including legends like Stanley Mouse, Alton Kelley, or Wes Wilson - who also designed the cover of this book. A visual journey through 30 years of rock and roll, as well as a valuable reference, The Art of Rock is an essential volume for every music lover (and art lover).
Paul Grushkin is an acknowledged expert in rock merchandise. He is the author and co-author of four best-selling rock & roll histories, collectively selling over one million copies. He lives in the San Francisco Bay Area.
Title: The Art of Rock: Posters from Presley to Punk
Author: Paul Grushkin
ISBN: 9780789212504
Binding:
Publisher: Abbeville Press Inc.,U.S.
Publication Date: 2020-11-23
Number of Pages: 516
Weight: 2.8131 kg
Fascinating and accessible ... useful for both the scholar and the fan --New York Times A literate, loving look at the poster's evolution --Chicago Tribune It flat-out rocks. --Newsweek Widely considered the genre's original bible. --San Francisco Chronicle [This] exhaustively researched compilation brings together more than thirty years' worth of the best and brightest rock posters and art work. --Rolling Stone There really wasn't such a thing as a rock poster expert until Paul Grushkin established himself as one with his stellar ... Art of Rock --CMJ New Music Monthly Rock 'n' roll is here to stay, and the old posters advertising live shows seem to be sticking around too. --The Wall Street Journal