He's back . . . Private investigator Harry Bosch confronts a villain who's long been in hiding - a fiend known as The Poet.
Former FBI agent Rachel Walling is working a dead-end stint in South Dakota when she gets the call she's been dreading for four years. The Poet is back. And he has not forgotten Rachel. He has a special present for her.
Harry Bosch is adjusting to life in Las Vegas as a private investigator and a new father. He gets a call, too, from the widow of a friend who died recently. Previously in his FBI career, the friend worked on the famous case tracking the killer known as The Poet. This fact alone makes some of the elements of his death doubly suspicious.
And Harry Bosch is heading straight into the path of the most ruthless and inventive murderer he has ever encountered. . .
MICHAEL CONNELLY is the author of thirty-four previous novels, including the #1 New York Times bestsellers Dark Sacred Night, Two Kinds of Truth, and The Late Show. His books, which include the Harry Bosch series and the Lincoln Lawyer series, have sold more than eighty million copies worldwide. Connelly is a former newspaper reporter who has won numerous awards for his journalism and his novels. He is the executive producer of Bosch, starring Titus Welliver, and the creator and host of the podcast Murder Book. He spends his time in California and Florida. To find out more, visit Michael's website or follow him on Twitter or Facebook. www.michaelconnelly.com f/MichaelConnellyBooks t@Connellybooks
Title: The Narrows (Harry Bosch 10)
Author: Connelly, Michael
ISBN: 9781409157335
Binding:
Publisher: Orion Publishing Co
Publication Date: 2015-03-12
Number of Pages: 400
Weight: 0.2722 kg
Top-class Connelly * IRELAND ON SUNDAY *
One of Connelly's best, with some speculation as to Harry's future plans in a lonely world. The good news is that the LAPD want him back on a short-term contract. Readers may want to join in the celebrations * LITERARY REVIEW *
Connelly is a crime writing genius * INDEPENDENT ON SUNDAY *
His methods of killing and eluding detection are infernally ingenious, adding an intellectual charge to the visceral kick of the hunt * NEW YORK TIMES *
While the themes of Connelly's LA crime novels are familiar (power, envy, corruption), his plotting is anything but * ESQUIRE *
No one writes a better modern thriller than Michael Connelly * TIME OUT *
